the drawing from 62 is ugly, its the colour of off hummus, with an undergrid that is overdrawn with five smaller grids, there is one white sqaure the colour and charm of an office ai in the top left--its a clumsy work, but it is a clumsy work on purpose, and a clumsy work that is a drawing, not a drawing about drawing, not a painting about the effects of looking, not a sloe eyed look at the history of supports and frames, but a declaration of what works where...and its brave to be this ugly, and to be so endlessly unconceptual; just like the silence of duchamp is over rated, the conceptualism of ryman is.