also toby dammit, fellini, terrance stamp, worth seeing.

oh, and on my question of black swan, he put his fingers and index fingers in a triangle, and talked about black swan, suspira, and perfect blue as three points on that triangle.

he also talked about how, in his way, the perfect is the enemey of the good--and with as much love and desire for Cocteau, as he did for Buba or Fulci (and Fulci's bodily horror)

or about how touch of evil was a better film than citizen kane, b/c touch of evil went off the road (and proceeded to pantomine a car wreck as a good thing, as a worthwhile thing)(

it made my passion and my weirdness and my love for excess, and my desire to expand what is good, and i was really depressed and really gone before i went.


i mean i love suspira, i love argento, but this almost accidental del toro, i think made me feel more hopeful