Women's suffering has often inspired admiration from audiences whose embrace of their tragic heroine can seem like equal parts sympathy and sadism. Those of us who took pleasure in the fruits of Amy Winehouse's inner turmoil now have to acknowledge its ultimate end. As we contemplate this, we can also revel in what was most entrancing about her music: its brashness and utterly engaging power, the upfront expression of a woman who was loud without apology. Her big notes still live.
Anne Power's on Winehouse
all shall be well all shall be well and all manner of things shall be well julian of norwich
Saturday, July 23, 2011
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