four sentences that encapsulates the previous entry:

1) i want my work to disappear. these great artists from the 70s made their work disappear in galleries, my work doesnt disappear in galleries.
2) how do i make my work handle the same intangibles that bell, irwin, ryman or sandback manage, while still asking questions i find valuable.
3) do those questions always or even mostly center around the gallery system, being careful to realise that there is mroe then oen system and more then one work.
4) how does my attachment to tradition and art history function in relation to the above questions?