all shall be well all shall be well and all manner of things shall be well julian of norwich

Thursday, January 31, 2013

The Ford Treasure of Station Wagon Living,

Punctum, who did the book Rachel and I were part of, is publishing this really strong seires of texts on speculative medevialisms. The best one, is this new book on Chaucer, with it's third chapter the best thing I have read on depression and the academy. third chapter, free ebook.

the photographer David Taylor is attempting to record every boundry marker on the US/Mexico border, first put up in the 1890s. Link goes to a discussion of the practical problems of the project, with some strong images of the work itself.

thousands of pictures of monkeys

dozen or so images  of the ebony/jet building, a brillaint example of 70s pop rococo.

Narwhal meeting, Nunavat, shot by NatGeo.


Ezra Stoller's photos of LA, are so utopic, all creamy white light through blackness speaking of LA, inside the capitol building


old matchbooks more old matchbooks  (the best thing about them, is the image that goes through all the matches, so it becomes stattaco when images are absent)

i was wrong about burton--she tones down the aggro a bit from McQueen himself, but adds the sensual pleasures and historical mindedness

Tompkins Square's  work on the history of African American Religious Vernacular Music continues to be heroic.

James Deen on Lohan.



Corrine Day, Kate Moss, 1994 (the braids remind me of Cameron)


n+1 used (and edited, mildly chagrined)  a photo i took of Hirst's shark.

Film Comment on Zero Dark Thirty.  With the great qoute:


Maya’s refusal to watch from the monitor points to her courage and integrity, but it also opens up a whole epistemological can of worms, because even seeing it up close (even making a film as rigorous as Zero Dark Thirty) can still never quite be the same as gaining perfect objective knowledge. So in a way the most terrifying line in the film is the rule Dan lays down for his prisoner-victim late in the sequence: “Partial information is treated like a lie.” There is of course nothing that anyone can give anyone in these circumstances except partial information. Therefore by the code of the interrogator, everything they’re given, indeed every unit of information they acquire, is a lie.
there is an essay to be written about Zero Dark Thirty as a problem of informtaiton control as it relates to bodily dissent, and the increase of taxonomic tasks in post-media ages.

Rasmussen's photo of the Faroe Island Whale Cull are a combonation of hyper tech (the orange plastic suits) and the ancient (the woman in the wool sweater standing beside a pool of blood. Difficult, but nessc. reportage.

Lindal Hall's Online exhibition on the Victorian obsesison wiht the Ant/Arctic, is well worth looking at.



Cornell West on the political and social implications of Obama hijacking MLK's legacy at the inaguration.  (and Caotes explains why America hates the idea of a Black middle class)

Dublin;s Father Flannery was offically censored by the Vatican, for his discussion of Women's ordinaton, and is talking anyways.

Speaking of Speaking out of Turn  This mendell exhibit on aboroginal self portreaiture i hope gets eastern canadian dates.  (and speaking of aboroginal read this: This interview with Adrienne Keene about the implications of first nation depictions is a must read.

6 Japanese Graphic Design Posters

Alison Anders bought Greta Garbo's records and is now reviewing them.



14th Century Mourner, French, Limewood, Bought by Getty this month.

Fantastic article on what the success of the Avett Brothers will mean for NC folk and country music, and the implicaitons of that

What Digital Reproduction means  for Comics, using a recent issue of Hellboy as an eample by Jim Rugg.

I have linked Aylsse Elende's  photos of prison backdrops before, but this interview talks about the implications of them as utopic landscape.


speaking of politics and photography, this history of polaroid film in Apartheid South Africa, and how they devolped a product for police, and Black photographers reclaiming it, is fascianting.


These photos of spybases  are interesting for what they are trying to impart--look at how the uk looks like a corperate hotel, france is totally incognitio, and the us is beaurcratic.

an a-z guide to music journalist bullshit.


This video with a dog and a giant stick is a metaphor for the problems of desire

22 Stairways that lead nowhere.

110 years of film title screens

1980s Weather People  Audition Shots, from SF, shot by Michael Jang.

I haven't read  Donald Westlake, he is a major gap in my crime writing knowledge (I was going to read him last summer but I found a whole bunch of Simeon for cheap), but using the idea of film adaptation with Statham as a hook, this review of the man and his writing, is sreally quite strong.

The Octopus as a Cartographical symbol.


The Icelandic PM asks questions about banks as "holy churches"

Mali Rebels torch timbuktu libraries

globe and mail publishes nortel's lawyers bills

Courtney Love covers 99 Problems

Luigi Ghirir, whose work was a highlight of the Martin Parr recent show on early colour photography, a show that resestablished europe as a source for an aesthetic that was previously thought to be mostly american. His colours were always bright, pop, and strange--his compositions were isolating, adn the work was just gorgeous. His best book is Kodachrome, which is impossible to find, and hella expensive. It has been re-issued, link goes to a review w, some page spreads.  some individual shots

here are my two favourites:








Katie Kline shoots some amazing trees.

Download the new Le1f mixtape.

antique confessional for sale.

Michael Hadad has redesigned all of the provinces and terrotories  as mid century logos





Monday, January 28, 2013

On Lady Antelbellum's Downtown

I can't help but to view this as delightfully meta--after a couple of years of hearing (mostly young men) trying to convince (mostly young women) about the importance of the 40, the back fields, the woods, the sticks, or other generic markers of semi-rural spaces as markers of sexual autonomy; the gorgeous harmonies of Lady Antebellum note the vitality of the flanuer (or more importantly the flâneuse) That it is a flâneuse who encourages pleasure and that the pleasure of the city, of the walking, the lights, the smoking and  even the mannequins in the shop windows might lead to less obtuse pleasures, and that the avoidance of cities might suggest an avoidance of these pleasures, provides a stark rejoinder to the homosocial tensions that have dominated Nashville--even songs about fucking in the woods seem to be wryly intended for a public audience--the intimacy of the secret place remade for public consumption, this reversal, where the lack of intimacy of public spaces now remade for private consumption. Extra point for the last line of the song, with it's flirtatious wink. 

Friday, January 18, 2013


Are the Best Artists working in Canada Today, all First Nation? 
  1. Terrance Houle, Blood (his recent indian wrestling ring series) http://terrancehouleart.com/ 
  2. Faye HeavyShield , Blood, (the bead work)
  3. Brian Jungen Dunne-Za and Swiss (has there been a work tied closer to the failures of geography than his plastic whale skeleton?) 
  4. Kent Monkman Cree/Irish (more the paintings than the perfomances)
  5. Skeena Reece Haida http://www.skeenareece.com/
  6. Raymond Boisjoy the haunting, low tech, reworking of photographic history, in rez gashttp://catrionajeffries.com/artists/raymond-boisjoly/works/
  7. Jackson 2Bears  Kanien'kehaka, http://jackson2bears.net/
  8.  Shuvinai Ashoona, Inuit http://viewoncanadianart.com/2009/06/16/is-shuvinai-ashoona-canadas-hottest-artist/
  9. Beau Dick Kwakwaka'wakwa (aside from being a major mask carver, his strong belief in working with younger and mroe innovative artstis)  http://www.justart.ca/beau-dick-photos.htm
  10. Rebecca Belmore http://www.rebeccabelmore.com/bio.html (venice beinealle) (and we cannot ignore the recent history with her and musuems/galleries)
  11. Annie Pootoogook Inuit (and we cannot ignore the explotation of her by galleriests)  
  12. Corey Bulprit, Haida http://urbannativegirl.tumblr.com/post/29128378989/corey-bulpitt-and-larissa-healey-to-begin-new (That he makes haida murals in public spaces, reclaiming public land as aborginal, is really smart, and really important) 
  13. Nicholas Galanin. Tginlit (http://galan.in/) In the radically reworked, vitally impt show on Hip Hop and First Nations Aesthetics at the Powerplant right now, his work merging breakbeats and traditional dance, recast the history of cross politioan in a matrice of competing signifers. 
  14. Larissa Healey Haida, (works with Bulpit)
  15. Zacharias Kunuk Inuit,  (Perhaps our best narrative film maker?)
  16. David Garneu, Metis, one of Canada's smartest, most techincally proficent, great pure paintters, and really smart. 

Small list--forgetting novelists, poets, dancers, fashion designers, graphic designers, playwrights, craftspeople, film and video makers, etc. et al. 

Post 1970, does Canadian Art Exist w/o Aborginal Contrubitions--and if the answer is no, does this mean that we have to completely reconsider what that image and conception means--Think of Monkmen's porno odes among the romanticism of Cane, sail Coupland's canoe next to Jungen's Cetology, Think of the abstraction of Heaveyshield and then the abstraction of Bush, think of Haida work remade as Kitsch, then look at Reeves mask of Brando or Healey and Bulpit saying "whos streets our streets", try looking at another Richard Prince playing Marlboro Man after Garneua's Cowboys, Indians, and Metis?, Think of Weiland's middle class femminism, and then Belmore...

I don't want this to be a either or, but thinking about this--first nations creators have inserted, and by extension discredited the narratives of art history--a disruption that is needed, and joyous. 


Thursday, January 17, 2013

no comments on the pazz and jop, 


It took me months to warm up to "Pontoon," but it went from being mediocre in late summer to the best chorus I'd heard by early winter. It's mostly the craft — plus the almost-naughty double entendre in how they sing "motor-boatin'." —Anthony Easton

Dwight Yoakam's 3 Pears is a slight, spare and solemn record, whose skills at quiet understatement could be read as boredom. Instead we get a mid-career set of small discussions about personal failures and social misconnections — a miniature of perfect songs about terrible emotions. —Anthony Easton

Sunday, January 13, 2013

dinner at vices et versa, in montreal, with maggie, ray(!), lana, alex, jill, and me--had a charchiture platter and five ciders.

Wednesday, January 09, 2013


you don't need to worry
if you need, need
everyone needs periods of balls-out neediness
some people need more or longer periods than others
all this shit is in flux

josh
rihanna review by me

Sunday, January 06, 2013

50 corpses were found behind a boys school in Florida, with some evidence of sexual abuse, they were expecting 30.

on the rise of DIY abortions, excellent peice of writing, a combination of personal stories , larger histories and  recent trends. The recent "fetus personhood"  regulations and the refusal to legalise/medically supervise pharmaceutical aborofacients  are important to note.

Africa is a Country's top ten contested image.



I love when O Hara speaks outloud.



Dolly Parton and Hee Haw pinball machines.

if you want context on Django Unchained, Alex Cox's book on the Spaghetti  Western from 1978, is canonical, but has been out of print for more than a decade. Cox put it up on his website as a pdf.

Bill Wyman's article debunking Michael Jackson's album sales, is really about the history of record companies.

i love this alberta themed great horned owl print.

laser cut nautical maps


Taylor Swift and Def Leperd.

the weird, bleached out, almost pastel tones in these photos of tennis courts ironically collapse 80s failures of architechture and the historicizing potential of digital methods into perfect tourist attempts.

burlap and grasscloth wallpaper.

there could be an essay written on british business culture and competing masculinities, as found in these 20s poster.

Enid Chadwick's  Childrens Book of the New Year, has that early 20th century, popululist neo-medivealism, an updating of Morris or a more colourful Gill, just gorgeous.


Looking onto the Mies from Nun's island, artist unknown.

Thanks to Shoup, Brian Joseph Davis' write an epic poem of Xgau's disses.  Brad being Brad, he's worked out the positive mirror image: here

El Antusi did a mural for the highline that is insanaely epic in scale--all across a manhattan midrise.

Irish Farmers Calendar, where they are mostly shirtless

The wood frame, the colour, the bolster pillows that it's Modern and modern and neo-Classical and just a tiny bit regency, the elegant pluralism of this, this courch will change yr life.



In it's own genteel way Toobin's obit of Bork, also for the NYer, is as evisvercating as HST for Nixon.

abandoned amusement parks

one of the questions that i had about  martin, for decades, was how she worked so many hours, but produced so little--full 8 hour days, and maybe 12 paintings a year, and only a handful of drawings, and with a few exceptions, no distinct print practice. This interview with her galleriest, talks about how near the end of his life, that he helped her destroy paintings that he thot were gorgeous, but Martin thot were formally flawed. This suggests that the skill that Martin had was not only (or even perhaps not mostly) object curation but object creation.

speaking of martin, here is a great lecture by Katz on the implications of formal questions and how it functions as a matrice with her personal life:

(how he talks about grids will change yr life)


USDA's collection of State Soils

they are pirating whole buildings now

6 photos of exquistely displayed rolls of coloured tape.

masonic weapons, with symbols in the clockworks.


squid hanging lamps. 



fifteen photos of the SF Streetcar boneyard.






documentary on Kaneshatake and first nations resistance. 




This article from the star states directly what i have suspected for a long time, namely that the FOIA works as an obsfuctating tool, which might have been a feature instead of a bug, from the view of the gvt.

“Vertical-Horizontal Composition” (1916), a small, framed wool needlepoint tapestry by Sophie Taeuber-Arp. Rectangles and squares in black, white, red, blue, gray, and two browns, arranged on an irregular grid, generate a slightly dissonant, gently jazzy visual harmony that is pleasantly at odds with the tapestry’s matter-of-fact, nubbly texture. The work bespeaks a subtle eye, a sober mind, and an ardent heart. If you could make something like that, you would drop everything else and do it. You wouldn’t need any great reason. I was mildly shocked by how unshocking Taeuber-Arp’s work is, amid rooms of strenuous sensations from the epoch of abstract art’s big bang. But, in a show that raises the question “Why?” at every turn, I kept coming back to it

Read more: http://www.newyorker.com/arts/critics/artworld/2013/01/07/130107craw_artworld_schjeldahl#ixzz2HHmzvAeS



Tuesday, January 01, 2013


2012 goals:

a) finish thesis

yep/

b) find place to stay/granting/etc post may.

yep.

c) finish grad school apps for concordia, union, harvard, berkley

got to concordia.

d) work on publications for disability, kurt, rachel

steady progress made.

e) finish the frog piece

most likely funded and ready to go next summer.

f) pitch tormorden mills peice
g) figure out alaska
h) boston conference

dropped due to cash.

i) pay mom back.

nope

j) pysch stuff

ect

k) tooth stuff

working on it.




2013 Goals:

  1.  Continue Kurt Work. 
  2.  Continue Atlantic Work. 
  3. Work on one Application, Conference Pitch, Fellowship, or the Like a month. 
  4. Get a minimum B average 
  5. Figure out Quebec Disability 
  6. Have one social event a week. 
  7. Ask someone new for social times once a month. 
  8. Find things to do post-April. 
  9. Walk around new neighbourhoods. 
  10. Pysch Stuff. 
  11. Supercut
  12. CAMH Art Project 
  13. 6 Small Sermons for Satan. 
  14. Peice wiht Clint. 




Blog Archive

About Me

i am a sixteen foot sasquatch.