all shall be well all shall be well and all manner of things shall be well julian of norwich

Thursday, September 29, 2011

From September 29, 2011



Murdoch is god father to one of Tony Blair's children.

Koneig's house in Tujanga--one of those glass and beams, all light LA wonders is for sale--link goes to a bunch of pictures and one construction drawing.

speaking of LA and construction Doug Smith's photos of foreclosed homes are haunting.

From September 29, 2011

This might be the most 90s photo ever taken.

Chicago REader used one of my photos.

New Hammer show of Whiteread drawings, including a loveley one of her ghosted stairs.


The Hooters Girls remember 9/11

3 women is coming out on Criteron, finally!

Anti Roma violence and violent rheotric is racheting up in Czech Republic.

From September 29, 2011

Rberg foto of Merce Cunningham, from a collection of photos taken in the mid 50s to the late 60s, published by DAP. Impressed at how incorperated this photo is, how much it is of a dancer aware of his own body.

Cherry Martin the london gallery, has a show of black and white photographs made into manquettes and sculptural bits, tiny and quite lovely.


Rick Perry saves the world from the spirit of evil first nation cannibals.

70 Ghanain movie posters

Skin a Deer with a pick up truck.

the atlantic's new blog on cities is brilliant, this eccentric but much needed essay on cul d sacs and surburban construction is a good place to start.

6 examples of Death on a PAle Horse, including a v. late BAsquit.

From September 29, 2011

Habitat being constructed.

inuit populations in alaska have increased rates of botulism, because of the switch from storing meat in the ground to rot, to storing meat in tupperware and ziplocs.

big Adams show at The Denver musuem of art.

fantastic short documentary on the gathering of juggalos

on Dekooning, musuem shows, and the problematic late work.

singles help family and community more than married folks.

Waid and Riveria's Daredevil comic is gorgeous.

Tenderfoot, aka as Adam Bohemer is a great folk singer, a man with an amazing beard, and really cute besides.

Monday, September 26, 2011

"I thought I was taking pictures of things that I hated," "But there was something about these pictures. They were unexpectedly, disconcertingly glorious."

Adams

Thursday, September 22, 2011

I think what I think at this point was that i found it interesting that a number of male country artists who did albums as statements about their dying in the last couple of years made it harsher, harder, rougher--starting with the American Recordings by Cash and moving onwards--including but limited to Louvin, Wagoner and Kirstofferson. That this is so smooth, and so much like the golden age of AM radio really as a response to the harshness of other voices, is historically interesting--b/c Campbell wasn't an outlaw, and was almost if not a mirroring than a kind of correcting in terms of 70s country. In this sense, he is considering the trajectory that was set down for him by Webb (or to be more generous--the choice that he and Webb decided to embark on together)

Which is one of the things I really love about country music, is that the career arcs, and narratives are decades long, instead of weeks or months or even years. We are talking 40 years here.

about Glen Campbell's new single.

Sunday, September 18, 2011

last night, wonderful sex with a newish boy at his place then dinner with his primary, and looking at vacation slides. today, baptist dedication north of newmarket.

metaphors of domesticity

Wednesday, September 14, 2011

The Rest Is Silence: The Tapes Hyang Cho
2011, 12 ft; dimensions variable , 189 cassette tapes with cases, 90 minutes each, tape recorder, speaker

This show had a number of peices, but this one was the most powerful for me. She recorded herself reading Spinoza's ethics word by word, on a set of 90 minute tapes. As one tape ended, she would type what reminded her of the work Sometimes its nothing, sometimes its these really problematic words about sex and death--the tapes would be played in sequence--each word would be underlined, and the pencil would be rubbed off on a blank notebook afterwards.

it's an academic work, but Spinoza, with his efforts at and eventually failing to ride the intellectual line between his instincts and his traditon, and the non-western nature of Hyang Cho's other work, have an isolation and a lonliness, a profound fear at wanting to communicate, and being unable to communicate.

that the speaker is grey, and the tapes are black and white, and the edition of spinoza she chose was black, and the only colour was the gold along the spine--made it a visually stark work as well.

(note about analog vs digital)

Saturday, September 03, 2011

Ed Ruscha Beach Towel


Over 20 years on in the history of the episcopal ministry involving both genders, or as the Canadian Church said, bringing completeness to episcopal ministry, I no longer can actually seriously engage the argument about the validity of the sacraments celebrated by women. The sacraments we celebrate are valid and transform lives much as the sacraments celebrated by men in holy orders. That is because in the lives of the men and women the Holy Spirit has conferred gifts of grace. My successor in the Diocese of Edmonton was ordered deacon and priest by a woman in episcopal ministry who then was a co-consecrator at the episcopal consecration. In the USA there are a growing number of bishops all consecrated by the Presiding Bishop, also female. Apostolic Succession has not been endangered by these episcopal acts. Rather Apostolic Succession is the handing on of the apostolic faith and the authority to uphold and protect it, which has less to do with the pedigree of the episcopal minster than the work of the Holy Spirit... Victoria Williams on Women PReists.
full essay here

From September 3, 2011


Waste Landscape, Elise Moran and Clemence Morad.
materials: unsold CD+wire+inflatable
Surface : 500 m²

Torontoist visits Detroit's Mies buildings--including some amazing shots from lafette park--totally not disaster porn.

English High Courts note that stop and search seizures are racist against AFro Caribbean citizens.

Tariq Ali on the london riots

genuinely terrorfied about continual legal and extra=-legal attempts in Wisconsin and elsewhere to disenfranchise poor voters.

walter reed closes

which reminds me of this:


love these pants

204 page photobook on the nature of bounce

beautiful poster that taxomizes wrestlers name

love this punkcore/pyschobilly/bluegreass band from Austin.


Historical Comedy on the Invention of the Vibrator and Cronenberg's movie on Freud are the two that I really want to see at Tiff

Cineea Madrid's photos and story about the problems and successes of Nrothwest Rodeo, is genius.

Scottish Poetry Library used my photo.


From September 3, 2011

Jane Mansfield, Photographer Unknown. mid 50s.

John Cain sought to arm Qadhafi.


Alan Cumming Butches Up Cabaret, with a Military Themed, Don't Tell Mama--sexy as fuck.

Etsuko Ichikawa is a glass blower from Seattle, who is working on drawings using paper and molten glass--this video of the procedure from the Anthropologist, borrows alot from Namuth's video/photos of Pollock--but it's oddly both more controlled and more destructive.

Scott Aarnson decimates academic publishing.

Jen Graves essay on whitness and race in suburban seattle reminds me discussions of race and whiteness in Edmonton.


From September 3, 2011


I love in porn when the sign and the signifer collapse--the erect rocket and the flaccid penis.





From September 3, 2011

I love in porn when the sign and the signifer collapse--the erect rocket and the flaccid penis.




Wednesday, August 24, 2011

Comment on Mefi about the Xian Dominonist thing.


I am a canadian, and I am in a liberal theological college, but I've been thinking about this for a while. I don't think there is one movement, but I think there should be things said:

a) That there is a large number of different political movements that could be considered Dominonist--and they rarely talk to each other. Rushdooney, of course and the Pentacostals, but also Mormons and some people who might not be protestant at all. And it ranges from a kind of manifest destiny to a very explicit seeking to violently overthrow the government. We should be careful of not putting everyone in the same pot.
b) I think that for a bunch of reasons, mainline protestant denominations have been drying out, and I think that mainline protestant denominations are a moderating force. Reagan's soft Presbyterianism was a far far way away from Rushdooney's more unaffilated Calvinism; and Bush's Methodism had much more moderation than some of his inner circle--but also remember his inner circle included atheists (Rove, Cheney). There is no atheists in Perry's inner circle--and Bachman does not have the moderation of mainstream denomination--She was part of the Wisconsin synod, which is the crazier ends of Lutheranism (Pope as Anti-Christ, etc) but her withdrawl from the synod is a major story, and one that has been under reported.
c) I think that secular reporters on the coast don't know how to read Religion and tend to be dismissive of it.
d) I think that the moving towards Africa (and I have a lot of evangelical friends who have spent time in Tanzanina, Malawai, Ghana, Botswana, Uganda, and Nigeria) for example, and fueling the dangerous rhetoric about sexuality there is a set of Christian actions that combine colonialism with evangelicalism. I think that by using Africa as a testing ground, that they are working on how to bring that kind of work home, and that really scares me.
e) Cornelius van Til, the Dutch Calvinist, who was the first person to connect these thoughts together, ended up with some pretty difficult political positions. Van Til claims that there can be no neutral ground between the believer and the non believer, that there can be no place for conversation, for discussion--this seem to be an anathema to the democratic project.
f) This idea against neutrality suggests that via home schooling and other institutional building up, there is an attempt to pull certain kinds of American Christian's away from America--or to pull American citizens towards Christianity. There is a long tradition of dropping out, from the state, in Christendom, but that tradition is often tempered by a strong belief in hospitality. I am okay with the dropping out, but I think that the forcing towards, is a violation of Christian hospitality.
g) I don't like Calvin.
h) Rushdooney's holocaust denial is something that should pretty much disqualify him as a historian, which he claims to be. It is not outside the realm of Christan exceptionalism, and the connection between Zionism and antisemitism by his followers has a distasteful history.
i) as someone on the left, who is also spends time with a wide variety of Christians, and who is Christian himself, we have to be careful not to hang before trial, but there is a strong matter of concern here.

Bachman and Perry scare me, in ways that Wright doesn't--because I think Wright is working against privilege, and Bachman/Perry are working towards it.
it's called what we bought:the new world.
I think i sort of figured out one of my problems with Robert Adams...the photog. I love him, and he is one of those people that I have been plagiarizing for a decade, so it might not quite be problem.

in his introduction to What We Brought to the New World, photos of Denver from the 70s, he qoutes Whitman and Keuroac to prove that Denver was a kind of paradise, and then talks about the suburbs of Houston, Seattle, Salt Lake and Phoenix.

He sees the documenting of these landscapes as an elegiac attempt to reclaim his work away from the suburbs work--work of metastasizing sameness, but he inadvertently created these tributes to the same kind of manifest destiny spirit he was railing against.

There is an invisible ley line b/w SLC and Edmonton--and Edmonton was like Denver and Houston in terms of money and oil and status and a kind of working class spendthriftness--a set of metaphors about plenty. Taking photos of the suburbs (and this is my photos of towns outside of Toronto, as well, I think) for me is marking what happened after the suburbs.

Like Baltz's New Industrial Parks, these are ur-narratives of aWestern Suburbness, that was new, and seems weathered and old after three decades--not the decay of industrial nostalgia, but what happens when those spaces are lived in.

Going back home, everything is across the highway,and the downtown is dead or dying. The suburbs are an organism that moves its bodies further out and further out. It takes the space of expansion. In the west there is still room to expand--and so downtowns die and the farmland is taken over by suburbs--and so Adams is prophetic about the west--but he is also wrong that the suburbs die. The west was never pure and the addition of the tract homes, the supermarkets, the developments never made it less pure--it was another kind of life. Maybe parasitic, but not in the way that Adams imagines.

Sunday, August 21, 2011

attack the block is amazing. the monsters, the aesthetics, the horror trope of urban spaces as refuge and urban spaces as danger, the various ideas of alien, the one liners, the smart politcs, and its really nice to see a working class, racially diverse story about london so soon after the riots.

Tuesday, August 16, 2011

These three passages could be considered about adoption and identity, because identity shifts, and refuses to be be the same throughout a life time, and because they are about questions of geography, of choice, of desire, they become complicated and difficult places. Painful places.

Joseph is the son of Jacob, literally and figuratively the son of Israel, and he is sold into slavery in Egypt—Egypt as a place of exile, but also Egypt as a place where patriachs gain power, a place in Isrealite imagination of wealth, of status, of earthly goods. Joseph was successful in Egypt, he was the second most powerful person in the land, he goes from a slave to a vizier, from an Israelite to someone who is found safety within the Egyptian court...this is not the only patriarch who goes through Egypt, who understands the power of otherness, of an exilic imagination, the isolation from the homeland, the being sent out and returning, or being forbidden from returning is central to the larger understanding of the world—it is seen in Moses, who liberates his people from the Pharaoh, and it is seen in Christ, who flees to Egypt, in order not to be killed by Herod, and so Joseph, becomes one beginning of the Israelites as strangers in a strange land, this strangeness requires of them an explicit sense of cultural and social memory: “"Do not oppress an alien; you yourselves know how it feels to be aliens, because you were aliens in Egypt."

Joseph so isolated from his family, that they sell him to the stranger, they abandon him, and after years, he returns—and this is the place where his forgiveness becomes intensely moving, the hugging the neck, the kissing of the forehead, his brothers eventually accepting of Joseph as prophetic though previously what sent Joseph away was his hearing the voice of god, no matter how obliquely, or symbolically—the younger brother becoming an example for the older brothers—the seeking and the gaining of forgiveness—of course it is an example, an intense, moving, radically renewing, almost raw, example of family, of forgiveness, of closeness, of the desire for completion, but also all of it, is intensely, forever a homecoming, but Joseph never loses the Egyptian part of himself, he is a citizen of Israel, and his family, and his people, but his land, the province he lives in, Goshen, is carved out of Egypt, and the way that he reads dreams and prophecies has an Egyptian style—remember that his brothers don't recognize Joseph when they first see him in the court of Egypt.

This question of inclusion and excision, of being an alien and being a member of a group, becomes firmer over time, there are rules, conclusions that are reached, so that the call of hospitality is given and so people do not lose their Jewish identity, so they do not become Babylonians, or Egyptians or Canaanites. Joseph becomes a way, in a liturgical sense, an introduction to the problems of the Gospel.

The gospel becomes really difficult for Christians who have a social justice bent, We try to be like Christ here, but Christ here is not the man who says the first will be last and the last will be first, he is not the christ of priority of the poor, or the one who talks about the leveling of inequility—here he uses a racial slur, and worse he tells the woman that she will never be part of the jewish culture “I was sent only to the lost sheep of Israel.”--for those of us who are not Jewish, who are not part of the lost sheep of Israel, how do we connect ourselves to the Lord, a Lord who in this passage who has decided to be abandon us---it reminds us that Christ was not a christian, that we as Christians are interlopers for the original message, and that we are not here, like christ, but we are the Caaniate woman, who are begging for a small intervention, a small notice of Grace, from a God who might not have priority for us, or at least at this point in time, in this point in the history of Christ, he was not for us.

In the Anglican tradition, there is a memory, of our base humanity, of our fallen nature, of our inability to fully understand or know the Master and our internalization of our separation from the divine comes from the difficult place where Christ isolates himself from the larger world. The prayer of humble access in the 1662 BCP can be seen as a place where we recognize that we are adapted into this tradition—it is not only our separation from the full glory of god, because of our humanness, it is because we are part of another tradition, a branch that has been transplanted onto the tree of life. Let me read that prayer:


We do not presume to come to this thy Table, O merciful Lord, trusting in our own righteousness, but in thy manifold and great mercies. We are not worthy so much as to gather up the crumbs under thy Table. But thou art the same Lord, whose property is always to have mercy: Grant us therefore, gracious Lord, so to eat the flesh of thy dear Son Jesus Christ, and to drink his blood, that our sinful bodies may be made clean by his body, and our souls washed through his most precious blood, and that we may evermore dwell in him, and he in us. Amen.

The prayer of Humble Access is the place where we are exilic, it is a mark of our exilic space.


This is where the epistle provides a place of grace—this fear that we are defiled, that we embody the problem of purity, because the first half of the gospel is about what can defile and what cannot defile, but the purity and the defiling happen at the same time—and just as we cannot presume to come to this thy table, we cannot presume to clean enough, to wash our hands the right way, or say the right words, or to pray sufficiently to be pure, We are Christian because we have agreed to be adopted into the family of Abraham, but we are still strangers in a strange land.

God's understanding, has grown wider, the contract he had with Abraham has grown past the lost sheep of Israel to the dissident members of other places and other tradition. Because we cannot understand God, because we are not perfect, and because God is perfect, because God is beyond time and space, and because we are stuck in our own temporalities, we cannot avoid being disobdienent—this is the exile that we live in, the absence from the divine, the being unable through our own skills, gifts, powers and understanding to receive the Eucharistic cup, the cup that was not taken away from Christ, though he asked.

This is grace and mercy, to be adopted into the citizenship of Israel, not with the awkard rules of hospitality not with the hostile word of Christ who only sought his own lambs, but if we want ot be adopted, if we want to be a member of the Abrahamic covenant, then we can be.

This choice cannot be easy, and we are still exiles from the lord—but there is power in this choice of adaptation, of adoption.

Saturday, July 30, 2011

there does seem to be an uptick in evangelical xians rship to Bunyan.

jenny teller's sci. illustrations are gorgeous, and an excellent way for visual and written info to co-exist. esp. see the jellyfish.

the typography of John Carpenter's the Thing.

hundreds of japanese munciapl flags


compare this with Shelton's Honey Bea, as Brad Shoup did in TSJ, & talk about the implicaitons of list songs on country music.

CAmeron met with Murdochites 26 times in 14 months. Also, read the new yorker's article on murdoch this week.

almost three dozen photos of allnations pow wow in seattle.

W. Chaput the new archbishop of philly, is RAtzinger claiming ideological purity and hard work over innovation and a certain kind of mercy?

i'm back and forth on Romney's LDShood as a liability in 2012, this new study makes me lean into thinking it is a major one.


Trapeze Strip Tease, released by Edison.

Elizabeth ParkeR a domestic worker in 19th century england, was beaten and thrown down the stairs when she refused to have sex with her employer, as a revenge she cross stiched her testimony on a peice of linen.

i spent 12 hours listening to some of the deputations, and watching mamoliti be angry and ford be bord, and i was hoping it would make a difference, now i'm not sure.

Chuck's essay on Eric Church quashed some of my love for it--but then I listened to this:

Sue Tilley who posed for Beneifts Supervisor Sleeping, writes a tender and quite amusing adendum to the offical Lucian Freud obit in the gaurdian.

Wednesday, July 27, 2011

martin skidmore died.

Saturday, July 23, 2011

Women's suffering has often inspired admiration from audiences whose embrace of their tragic heroine can seem like equal parts sympathy and sadism. Those of us who took pleasure in the fruits of Amy Winehouse's inner turmoil now have to acknowledge its ultimate end. As we contemplate this, we can also revel in what was most entrancing about her music: its brashness and utterly engaging power, the upfront expression of a woman who was loud without apology. Her big notes still live.

Anne Power's on Winehouse

Sunday, July 10, 2011

last auction cycle warhol was responsible for up to a third of revenues from the major houses. The economist explains this, and how it might not be a good thing.

Toronto project for restoring, in aesthetic ways split concrete planter boxes.

it was a tradtion in the 18th century and earlier, in london, of when droping a child into a foundling hospital, leaving it with a bit of spare cloth, here is an onlin eexhibition that explains the practice, and shows some notes and cloths.

120 mid century modern logos.

though Clark Henry's Butch Guide comes from 1982, the masculinity as assumed normal in the gay male community, and the refusal to acknowledge butch asa kind of drag is still ripe for heavey parody.

Bette Davis on Joan Rivers in the mid 80s.

1500 South East Asian Book Designs.

Marvel Hex Codes

Corruption in China is begginning to be seen by the outside world as a major problem--and this comes with the liquidity of capitial, like this telegraph article on officials funnelling 76b out of the country.

minnepolois bus tickets

design treatments for St Bartholemew's church in NYC, including these icons for guild work:

From Jul 10, 2011


United Steaks of America

some pretty great street shots of Melbourne.

6000 prisoners in California are on a hunger strike.

From Jul 10, 2011


Zoran Lucic, Wayne Rooney Poster, From the Sucker for Soccer seires, more here:
about 35 of them

original art for Teenage Sex Club, a romance comic from 1951.

some photos of Twombly's styudio from the 70s. The work was shot by Horst for vogue , so they have a solid, well defined glamour, and an explicit fashion for the sake of fashion aesthetics, instead of an art history reportage, but there are some things that are interesting none-the-less. The neo-classical sculpture, are interesting because they suggest a set of translations of classical motifs, as opposed to actual anceint work, and hte amount of white in the space are not unsual, but this picture, with that white and yellow pop cylinder in the midst of dull/patinaed brown bronzes is a metaphor of twombly's work:
From Jul 10, 2011


sometimes the majestorium provides a useful stop in corruption, but not before Father Corapi, the charasmatic priest in the WEstern US convinced his followers to give him "He holds legal title to over $1 million in real estate, numerous luxury vehicles, motorcycles, an ATV, a boat dock, and several motor boats, which is a serious violation of his promise of poverty as a perpetually professed member of the society." (Sometimes the reporters for the National Catholic Register are a little bitchy.


STeve Anderson is a very angry man. His speeches against women preaching, against what he considers a culture of licentiousness, and against certain cultures of sexuality, and his refusal to engage in the world are notorious. (mostly because he films and uploads his videos on youtube). These photos of baptisms, and the joy he shows in them, complicates the narratives of anger and exhaustion that function as the core of his work.

John Waters Interview about his art practice.

Tuesday, July 05, 2011

From Jul 5, 2011

Letter of Resignation XXXI by Cy Twombly, 1967, Ink and Graphite on Paper, collection of John Waters (who described Tyomblys techique, as the "poetics of hte palmer method"

From Jul 5, 2011

Cy Twombly, Anadyomene, Bassano in Teverina 1981, wood, nails, crayon, paint, cloth, and screw eye, 18 1/2 x 22 1/2 x 29" (47 x 57.1 x 73.6 cm). Private collection, Rome



From Jul 5, 2011

Cy Twombly, Roman Notes, Lithograph

‘In his own particular way, Twombly tells us that the essence of writing is neither form nor usage but simply gesture - the gesture that produces it by allowing it to happen: a garble, almost a smudge, a negligence. We can reason this out through a comparison. What would be the essence of a pair of trousers (if it has one)? Certainly not that carefully prepared and rectilinear object found on the racks of department stores; rather the ball of cloth dropped on the floor by the negligent hand of a young boy when he undresses tired, lazy and indifferent. The essence of an object has something to do with the way it turns into trash. It is not necessarily what remains after the object has been used, it’s rather what is thrown away in use. And so it is with Twombly’s writings. They are the fragments of an indolence, and this makes them extremely elegant; it’s as though the only thing left after the strongly erotic act of writing were the languid fatigue of love: a garment cast aside into a corner of the page.” Barthes, on Twombly.


From Jul 5, 2011

From the Blossom Show, in Chicago, his last big american show.

Saturday, July 02, 2011

and he, and this is the great thing--talked about how it was needed to discuss the politics (about how the films move between the witch and the nymphette, and that's a problem (and maybe a catholic problem) but it is, and there were reasons for that, and we notice the politics, and we move on to the aesthetics w/o trying to settle the middle.
also toby dammit, fellini, terrance stamp, worth seeing.

oh, and on my question of black swan, he put his fingers and index fingers in a triangle, and talked about black swan, suspira, and perfect blue as three points on that triangle.

he also talked about how, in his way, the perfect is the enemey of the good--and with as much love and desire for Cocteau, as he did for Buba or Fulci (and Fulci's bodily horror)

or about how touch of evil was a better film than citizen kane, b/c touch of evil went off the road (and proceeded to pantomine a car wreck as a good thing, as a worthwhile thing)(

it made my passion and my weirdness and my love for excess, and my desire to expand what is good, and i was really depressed and really gone before i went.


i mean i love suspira, i love argento, but this almost accidental del toro, i think made me feel more hopeful
del toro talking after a double bill of suspira and toby dammit.

it was life affirming, his casual fannish knowledge of film, his love of the aesthetic of film, his desire for the excessive aesthetics of fairy tales to trump logic, a discussion of scopophillia, of hitchcock and his students argento and de palma, how a bollywood film does this thing, where it just leaves the narrative plot and returns at its lesiure, about bluebeard, about the nature of good and evil as it relates to decadence with a small discussion of the piety and evil of joan of arc's leutitent...it went on for an hour, and i just felt affirmed, profoundly affirmed.

drinks and dinner with andy/jamie and their family.

Blog Archive

About Me

i am a sixteen foot sasquatch.