brilliant ny times article on raymond pettibon...i really like his work, from the black flag onwards, i find his work much more measured and meditated then he gives credit for, and i find the articles concentration on parentage and source material impt. i saw a large wall drawing of his at the AGO when i was in TO and i was shocked at how clever it was, how overwhelming the brush work was and also how it managed to merge and reference genuinely 100 years of american culture and not be precious about it at all. it was sinister too, this great bluegreen wave with crimson underto(w)(ne)s, katrina almost.
I am assuming John Banville fucked Boyd Tankin's daughters--because this review of the 2005 booker winner is so viscous, so personal and so angry it cant be about art. (also no one does hard core vitirol better then the british)
It wouldnt matter if JT LeRoy was a fake if he wrote like Rimbaud...
im pro fur and anti peta, but its good to see wintour w/o her sunglasses.
Martha bought one of the best modernist buildings in america, fucked around with it a bit, gave it to her uppity daughter, who let it collpase, and then sold it at profit to some asshole who tore it down. Modernist architechture does not have the same impetous to perservation as anything else, so people just destroy it, willy nilly.
Rebecca Holland makes post minimalist sculptured colour studies, in the tradtion of Truitt and Judd out of melted down jollly ranchers.
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